Post: 享受 Jouissance

2022年12月2日

导演:萨德克·埃斯-哈奇
编剧:萨德克·埃斯-哈奇
主演:基拉什·达德加、阿明·霍什尼克
制片人:萨德克·埃斯-哈奇、基拉什·达德加
摄影:法扎德·沙哈布
类型:短片
时长:22分
完成时间:2022
对白语言:波斯语
字幕:中英
地区:伊朗
制片公司:清晰地平线电影公司

Director: Sadeq Es-haqi
Screenwriter: Sadeq Es-haqi
Cast: Kiarash Dadgar, Armin Khoshnik
Producer: Sadeq Es-haqi, Kiarash Dadgar
Cinematographer: Farzad Shahab
Genre: Short film
Length: 22min
Year: 2022
Dialogue: Persian
Subtitles: Chinese, English
Region: Iran
Production Company: Lucid Horizon Films

故事梗概 Synopsis

阿拉什和拉希是一对生活在德黑兰的同性恋夫夫。他们搬到了一个新家,但平静的日常生活被拉希已经去世六年的前男友——萨德克的鬼魂打扰,并且萨德克要求与拉希生活在一起。阿拉什建议他们三人生活在同一屋檐下。就这样,他们似乎开启了崭新的生活… …

Arash and Rahi are gay couple living in Tehran. They moved to a new house with each other. Their daily life is interrupted by the ghost of Rahi’s ex-lover, Sadeq, who has passed away six years ago and the ghost asks Rahi to live with him. Arash recommends that three of them can live in the house in peace. It seems that their new life is beginning…

导演介绍 Director Biography

萨德克·埃斯-哈奇,作家、导演、编辑、文学编辑、翻译。1998年出生于德黑兰,曾在德黑兰苏尔艺术大学学习美术,是一位年轻的伊朗电影制作人。他的作品大多以女性和性别认同为主题。他的第一部短片《拼贴》(2019)入选了全球20多个电影节。他完成了他的第二部短片,并正着手制作即将拍摄的第一部长片。

Sadeq Es-haqi, B.1998 Tehran, is a young filmmaker from Iran. He studies fine arts at Soore Art University of Tehran. He works as writer, director, editor, dramaturge, translator in cinema and theater. The main themes in his works are women and sexual identity. His first short film Collage (2019) has been selected in more than 20 film festivals around the world. He finished his second short film and working on his first feature film to be filmed soon.

导演阐述 Director Statement

“享受”是雅克·拉康所探讨的术语之一。它在某种程度上意味着快乐。这部电影试图通过三个角色的生活探索拉康的三界学说,并将这样的生活方式和诗歌般的叙事与电影摄影结合,最终产生出一种观影的愉悦。

这部电影是对电影界中魔幻现实主义的探索。我对村上春树的文学非常感兴趣,我追随他的脚步观看了几乎每一部他的作品改编的电影。我试图营造一种类似村上春树作品中的幽灵般的氛围。

Jouissance is one of the terms that Jacques Lacan discussed. It somehow means pleasure. This film tries to explore some Lacanian terms like 3 stages through the life of 3 characters and combine this kind of living with a poetic narrative and cinematography which results in a cinematic pleasure.

It’s an exploration into magical realism in cinema. I’m interested in Murakami’s literature and I follow most of the adapted movies of his literal works. I tried to create a spooky atmosphere that is similar to Murakami’s works.