JADE THIEF
玉犯
陈子晗 CHEN Zihan
2024｜抽象一点 A Bit Abstract
一位对于“白玉杯”有特殊情结的女博物馆讲解员，在压抑与焦虑下逐渐衍生出第二人格， 对白玉杯实施盗窃，走上一条犯罪与自我背叛的道路。影片以挖掘人内心的自厌情结为主旨，完成对于亲密关系的悲观表达。
A female museum docent with a special complex for the “White Jade Cup” gradually derived a second personality under depression and anxiety. She stole the White Jade Cup, and embarked on a road of crime and self-betrayal. The main purpose of the film is to explore the inner self-hatred complex and complete the pessimistic expression of intimate relationships.
导演：陈子晗
编剧：刘柯依
主演：刘柯依、雷睿祎
制片人：王艺展
摄影：于天岳、章克锐
类型：剧情短片
时长：27分钟
完成时间：2023年
对白语言：汉语普通话
地区：中国
Director: Chen Zihan
Screenwriter: Liu Keyi
Cast: Liu Keyi, Lei Ruiyi
Producer: Wang Yizhan
Cinematographer: Ivan Yu, Zhang Kerui
Genre: Featured short film
Length: 27 min
Year: 2023
Dialogue: Mandarin Chinese
Region: China
陈子晗 CHEN Zihan
浙江师范大学电影专业硕士在读，曾参与创作短片《白马银枪》《野草》《无出生根》《恋空》《完美人生》等，导演作品《玉犯》。
He is currently pursuing a master’s degree in film at Zhejiang Normal University. He has contributed to the creation of short films such as White Horse Silver Gun, Wild Grass, No Birth Roots, Love in the Sky, Perfect Life. He also directed the work Jade Thief.
导演阐述 Director’s Statement
影片灵感来源于刘柯依小说《白玉杯》，借助彩色和黑白两种不同的色彩风格区分现实与臆想，将白玉杯被盗一事层层揭开，白玉杯在影片中是主人公欲望的化身，但自身人格仍被道德法律约束，于是衍生出第二人格，对白玉杯实施了盗窃，欲望达成后却发现自己无论对于异性或同性都很难建立亲密关系，影片正是借助这一故事，通过主角向心理咨询师的陈述，挖掘孤独心境下主人公对于亲密关系的欲望，完成对于亲密关系的悲观表达。
The film is inspired by Liu Keyi’s novel “White Jade Cup”. Using contrasting color styles—color for reality and black-and-white for imagination—the story gradually unveils the theft of the white jade cup. In the film, the white jade cup represents the protagonist’s desires, but the primary personality (she/her) remains constrained by moral law, leading to the emergence of a second personality (he/him), who commits the theft. Once his desire is fulfilled, he finds that it is difficult for him to establish an intimate relationship regardless of the opposite or the same sex. Through the protagonist’s sessions with a psychological counselor, the film explores the protagonist’s desire for intimacy and completes the pessimistic expression of intimacy.
